When you sing or play pop, jazz or gospel music, sometimes you envy African-American musicians who swing so easily.
Ever listen to those British pop groups that had a hard time imitating Chuck Berry or B.B. King? Or maybe Pat Boone in the 1950s “whitewashing” songs by Little Richard and Fats Domino.
In 2008, I joined a gospel-style choir called Mosaic Harmony, made up at least two-thirds of white people at a Unitarian church in Oakton, VA. The lively leader, David North, who was also a pastor, inspired us wonderfully with music taken from the black religious tradition. But he struggled mightily to get us to clap and sway back and forth the way real gospel choirs did effortlessly. “Clap your hands like you mean it,” he might have said.
As a wanna-be singer and pianist myself, I am challenged in the same way when I take on the music of Motown, Ella Fitzgerald or do-wop groups like the Stylistics.
So it was with great trepidation that I took the song “A House Is Not a Home” to Gil Baskerville, a local music teacher, to unleash my inner Luther Vandross.
I did not realize that Gil, a former band teacher at Halifax County High School, had seen the late Luther Vandross sing four times and had won a contest himself long ago for singing the same song.
“I’ve never heard it done like a Broadway standard before,” he said, as I sang and played it on piano as written by Burt Bacharach for the musical “Promises, Promises.” “If you want to sound like Luther, don’t belt it out. Drag out the song into almost a whisper,” he said.
I tried , but I just couldn’t hold my breath long enough. “How would you sing it to your wife? I’ll bet you wouldn’t shout it in her ear,” he said. “Think of the lyrics, how you are sad and want her back. Almost in tears.”
“I would never sing to her like that,” I said.
“Nobody really would. We just pretend,” he joked.
I couldn’t stop laughing
We played videos over and over of the great Luther belting out the song, crying and lamenting his lost love.
We kept trying repeatedly. I just couldn’t get it.
“I think you did a good job at singing it as a jazz standard,” Gil said finally. Yes, I agreed. I will stick with that.
I sadly made a momentous decision: I am not Luther Vandross!
I was astonished to see that a video I made of the song has gotten 1,200 views already on YouTube in one week! If you want to see my song, click here.
Gil teaches guitar, horns, piano, vocals and most instruments at his studio in South Boston, at 830 Wilborn Ave. His wife, Marlene, teaches piano there too.
Besides individual adults and children he has been teaching home-schoolers in groups at his studio. A long-time saxophone player, Baskerville plays in the soul-oriented band, NuSoul.