I still can’t open that package!

Random thoughts as spring approaches:

I I wrote recently about how hard it is to open packages. I had to buy scissors to open something I bought once when I was traveling.  The scissors were so securely wrapped, I couldn’t open them either!

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I am upset that the Washington Post is eliminating its sports page as it loses readers to Internet media. This newspaper has a sports page. Why can’t they? Then I thought: change is hard, especially for old people. Blacksmiths didn’t like automobiles. Our parents didn’t want to abandon typewriters  for computers. Got to adapt.

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I loved the “American Revolution” series on PBS by Ken Burns. But in 12 hours of TV, why wasn’t there any mention of the Crossing of the Dan, when British couldn’t cross the Dan River, giving patriots time to regroup? Probably because nobody died.

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Why do we always have to clean the house before the cleaning lady comes?
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Why have  the  insignias for NFL teams replaced the team names and cities on most telecasts? I have not memorized those images.

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Why is it that when you put two wires for your electronics in a box, they get hopelessly tangled up in no time at all?

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I can’t believe that I walked out on my favorite jazz musician twice! Once Miles Davis’ mic was too loud and I left the show in Los Angeles. In Washington, I didn’t like it when he turned his back to the audience. But such a talent!

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My pet peeve: News articles that water down shocking events. Why is a serious crime called an inncident?  Invasions and raids are called “operations.” To me, an operation is what happens in a hospital. Guess they are afraid of offending someone.

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There is talk again about pprice controls because of the high cost of groceries. I covered the Council on Wage and Price Stability when controls were tried in 1979. They sound good, but believe me, they lead to shortages and don’t work!

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“Frog and Toad” by Halifax County Little Theatre is a wonderful show to be enjoyed by adults and kids alike. And where else but in Southside can you leave your hat under your seat and have the director chase after you outside to give it back to you? The show continues at The Prizery this coming Friday,  Saturday and Sunday.

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We routinely tell each other of our “best and worst” of the day at dinner when our grandchildren are here. My grandson Bryce came up with a great idea for breakfast: Predict what your best and worst of the day will be. That allows you to envision what you hope happens. Well, for the year, my best will be good health for everyone, peace in Ukraine, Venezuela, Israel/Gaza and Iran, and understanding and toleration of each other’s viewpoints in this country. Worst? Oh, none!

 

 

 

 

Age on stage: never too old?

What is it like being an octogenarian in a musical? Exciting. Fun. And exhausting.

I used my age (84) to persuade the Clarksville Community Players to let us stage “Guys and Dolls Sr.” this winter rather than wait until I really got old.

The show was a great success and a terrific experience. Here I was directing singers as music director when I might have been home in a rocking chair watching game shows on TV. I didn’t even need to play the piano—we had a recorded soundtrack from Music Theatre International.

Most fun were the auditions, in which I got to pass judgment on everyone, like Simon Cowell of “American Idol” (“Next!”) But we only got 19 applicants for 25 roles, so nobody was sent home.

With no experience as a conductor, I listened extensively and read the scores of such songs as “Luck Be a Lady” and “Sit Down, You’re Rockin’ the Boat.” With an old man’s memory, I never fully remembered the words until showtime.

Instructing the singers was a challenge since most of them insisted they didn’t know how to sing. (But they were wrong!) Director Monica Walter had to talk me into waving my hands to be beat. How do directors do that, turn the pages and signal louder or softer at the same time?

Then she suggested I should also be in the show since the non-singers could follow me. Well, that was really enjoyable. I even shaved off my beard to be more realistic as a gangster.

I looked a lot better in my loud, red sports coat and flashy pants than I do in real life. Well, so do most people in costume. The senior women dressed as bar-room dancers got to be 25 years old again.

It’s easy to make new friends when you are playing fictional roles and pushing hard like a sports team to make your event a success. Cast and crew all helped each other. I enjoyed working with the leading characters: Holly Stadtler, Colleen (Coco) Corrice, Preston Hubble and Greg Thrift.

Singing “Feud for Tinhorns” (“I got the horse right here”) with  Andrea Steehle and Gary Walter was so much fun! I embarrassed myself by missing a line on opening day but redeemed myself the next day.

My daughter and family came from South Carolina. The children loved the show and asked me later teach them “A Bushel and a Peck.” One of them was in a show last summer at the same venue, the Clarksville Fine Arts Center. I hope I am setting a good example.

Despite the thrills, my age did catch up with me. I did not have the get-up-and-go of the 55- or 60-something “kids.”. We limited rehearsals to about two afternoon hours several times a week. The show was cut by more than half to accommodate our memory and energy limitations. But it still wore me down, and it was no coincidence that I became ill several times through rehearsals.

I decided I would never do this again. Welll, until the closing show. Somehow we had pulled off a major miracle leading up to this point, taking a fairly inexperienced cast to excellence. It was exciting to  watch the theater fill up within 305 people over two days, coming just to see us. We got rave reviews.

There were more thrills: nailing a song you were never sure of felt like winning a gold medal at the Winter Olympics. Taking bows at t the end after singing a vigorous number. Greeting friends in the audience who came to see you.

And suddenly you realize that your 2 ½-month romp with the cast and crew is over. You say a lot of good things about them, and they say a lot of good things to you.

There is a cast party and they feel like your brothers and sisters, people you have seen lately more than your own family. It may be the last time you see them.

So you have dropped everything the last 2 ½  months: other social activities, travel and even your exercise class. You feel tired and wiped out but also exhilarated.  

You think, maybe, just maybe, with the declining years you have left,  on a smaller scale, you could possibly do this again.

Oh, and in case you want to see part of my act, click here. https://drive.google.com/file/d/1ZqwvZT52jadx1hhSOEytJJkFJrkFeqDJ/view?usp=sharing

 

 

 

 

Aching back or not, the show must go on!

The local seniors in “Guys and Dolls Sr.” Aren’t as agile as they once were, but they make up for it in preparedness and enthusiasm.

“Some can’t get up and down like they used to, having  knee and back problems,” says director Monica Walter. “But when I see these actors moving around, I forget they are an older group. They are active and help each out, giving each other feedback and pointers.”

The show will be put on at 2 p.m. on Valentine’ Day, Saturday, Feb. 14, and on Sunday Feb. 15 at the Clarksville Fine Arts Center. Admission is free, but donations are welcomed for theater renovations.

The musical by Frank Loesser has been popular for 75 years, but for the first time a new version is being presented  for performers over age 55 across the country. This one is sponsored by the Clarksville Community Players.

Gamblers, mobsters and their girls will zbe portrayed by an experienced cast already familiar to Southside theater goers.

Among the local actors:

— Preston Hubble as Sky Masterson, the smooth-talking gambler who is trying to win a bet by seducing a Salvation Army missionary. Hubble was a rabbi in the recent “Fiddler on the Roof.”

—Holly Stadtler as Sarah Brown, the missionary who is intent on converting sinners like Masterson. She was a pilot in “South Pacific.”

—Greg Thrift as Nathan Detroit, who is anxiously looking for a place to stage his craps game. He was Stanford Adams in “Bright “Star” and Captain Brackett in “South Pacific.”

—Colleen (Coco) Corrice as Miss Adelaide, a dancer who has been trying for 14 years to get Nathan to marry her. Corrice appeared in “Christmas Belles” and was Mama Murphy in “Bright Star.”

The group authorizing these senior plays hopes the shows will reflect the joy of the actors who have gotten another chance to perform.

“For many, it is the return of a passion they didn’t know would be available to them in the third act of life,” says Jacob Cocovinis, marketing director of Music Theatre International (MTI.)

MTI made “Guys and Dolls” and four other abbreviated shows available at lower cost for theaters and seniors groups, along with scripts, background music and instructions.

To make the show more adaptable for seniors, it has been cut to just over an hour by MTI. The play and rehearsals have been set for afternoons, rather than at night.

How hard is it to remember lines? Hubble says, “At 70 my memory isn’t what it was at at 18, but I am able to recall the lines by visualizing he published script.”

What about the physical movements required in a show? You won’t see many of the crapshooters kneeling on the stage. Most challenging for seniors are probably the movements by Adelaide’s Hot Box dancers. Says Anne Smyre, “I have always loved to dance. At 82, it is so much fun to dance and swing.”

In some ways, older actors have an advantage. They have a better view of themselves at an advanced age and are less competitive.
“Uh, don’t be so sure of that!” says Smyre.

Guys and Dolls Sr. is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI.  wwwMTIShows.com.