What is it like being an octogenarian in a musical? Exciting. Fun. And exhausting.
I used my age (84) to persuade the Clarksville Community Players to let us stage “Guys and Dolls Sr.” this winter rather than wait until I really got old.
The show was a great success and a terrific experience. Here I was directing singers as music director when I might have been home in a rocking chair watching game shows on TV. I didn’t even need to play the piano—we had a recorded soundtrack from Music Theatre International.
Most fun were the auditions, in which I got to pass judgment on everyone, like Simon Cowell of “American Idol” (“Next!”) But we only got 19 applicants for 25 roles, so nobody was sent home.
With no experience as a conductor, I listened extensively and read the scores of such songs as “Luck Be a Lady” and “Sit Down, You’re Rockin’ the Boat.” With an old man’s memory, I never fully remembered the words until showtime.
Instructing the singers was a challenge since most of them insisted they didn’t know how to sing. (But they were wrong!) Director Monica Walter had to talk me into waving my hands to be beat. How do directors do that, turn the pages and signal louder or softer at the same time?
Then she suggested I should also be in the show since the non-singers could follow me. Well, that was really enjoyable. I even shaved off my beard to be more realistic as a gangster.
I looked a lot better in my loud, red sports coat and flashy pants than I do in real life. Well, so do most people in costume. The senior women dressed as bar-room dancers got to be 25 years old again.
It’s easy to make new friends when you are playing fictional roles and pushing hard like a sports team to make your event a success. Cast and crew all helped each other. I enjoyed working with the leading characters: Holly Stadtler, Colleen (Coco) Corrice, Preston Hubble and Greg Thrift.
Singing “Feud for Tinhorns” (“I got the horse right here”) with Andrea Steehle and Gary Walter was so much fun! I embarrassed myself by missing a line on opening day but redeemed myself the next day.
My daughter and family came from South Carolina. The children loved the show and asked me later teach them “A Bushel and a Peck.” One of them was in a show last summer at the same venue, the Clarksville Fine Arts Center. I hope I am setting a good example.
Despite the thrills, my age did catch up with me. I did not have the get-up-and-go of the 55- or 60-something “kids.”. We limited rehearsals to about two afternoon hours several times a week. The show was cut by more than half to accommodate our memory and energy limitations. But it still wore me down, and it was no coincidence that I became ill several times through rehearsals.
I decided I would never do this again. Welll, until the closing show. Somehow we had pulled off a major miracle leading up to this point, taking a fairly inexperienced cast to excellence. It was exciting to watch the theater fill up within 305 people over two days, coming just to see us. We got rave reviews.
There were more thrills: nailing a song you were never sure of felt like winning a gold medal at the Winter Olympics. Taking bows at t the end after singing a vigorous number. Greeting friends in the audience who came to see you.
And suddenly you realize that your 2 ½-month romp with the cast and crew is over. You say a lot of good things about them, and they say a lot of good things to you.
There is a cast party and they feel like your brothers and sisters, people you have seen lately more than your own family. It may be the last time you see them.
So you have dropped everything the last 2 ½ months: other social activities, travel and even your exercise class. You feel tired and wiped out but also exhilarated.
You think, maybe, just maybe, with the declining years you have left, on a smaller scale, you could possibly do this again.
Oh, and in case you want to see part of my act, click here. https://drive.google.com/file/d/1ZqwvZT52jadx1hhSOEytJJkFJrkFeqDJ/view?usp=sharing







